A type of phulkari typically donated to temples and gurudwaras, darshan dwar phulkari has a red base fabric embroidered with threads of various colours, most often yellow. The name of the textile translates to “the gateway (dwar) for beholding the divine (darshan).”

The embroidery is characterised by a set of columns running along the sides of the fabric, topped with arches pointing away from the centre. The space in the middle of the phulkari resembles a pathway and is populated with human and animal figures, giving it the appearance of a busy street. The borders are filled with geometric shapes, usually diamonds, stars and triangles.

The use of dwar phulkaris in religious shrines is considered to be a recent phenomenon, primarily owing to the lack of historic phulkaris in the possession of temples and gurudwaras, as well as an absence of any rituals involving them. It is also believed that the colonnade motifs in this textile may have originally referenced colonial-era buildings in Lahore, which were popular recreational venues; this may also explain the animated people and animals depicted in the centre of the fabric.

Examples of historic darshan dwar phulkaris can be found in the collections of the Philadelphia Museum of Art.

Embroidered Phulkari textile showing two rows of human figures separated by columns. A row of birds flies through the centre.
Darshan Dwar Phulkari.; Undivided Punjab, India; 20th century; cotton, floss silk; 208.5 x 134 cm; Museum of Art & Photography (MAP), Bengaluru
Embroidered textile showing two rows of figures under archways. Human, animal and floral symbols in the centre and the border.
Darshan Dwar Phulkari.; Undivided Punjab, India; First half of the 20th century; Handspun, handwoven cotton plain weave (khaddar) with silk and cotton embroidery in darning, pattern darning, buttonhole, herringbone, running and Cretan stitches; 226.1 × 127 cm; Philadelphia Museum of Art
Embroidered textile showing two rows of figures under a colonnade. A tram full of people and animals moves through the centre.
Darshan Dwar Phulkari.; Undivided Punjab, India; First half of the 20th century; Handspun cotton plain weave (khaddar) with silk and cotton embroidery in darning, pattern darning, herringbone, cross, buttonhole, stem, Cretan, and double-line/zigzag stitches; 237.5 × 132.7 cm; Philadelphia Museum of Art